front cover of Ecopolitics
Ecopolitics
Building a Green Society
Coleman, Daniel
Rutgers University Press, 1994
Where do you place the blame for the environmental crisis-too many people? consumer greed? technology gone amok? And what do you think will save our planet-birth control? appropriate technology? recycling? eco-consumerism?

Those solutions are just "Band-Aids on a bleeding Earth," argues environmental activist Daniel A. Coleman. Where conventional wisdom sees both the cause of the environmental crisis and its cure in individual actions, Coleman says: Look again. By blaming ourselves as individuals, we let governments and corporations off the hook. Making "50 simple" changes in our personal lifestyles is worthwhile, but must not divert our attention from the underlying causes of environmental disaster. The real causes are rooted deep in the politics of human affairs-and so are their solutions.We should be asking: Why do we allow such harm to our environment? How did we create a society with no stake in the future? How can we build a green society?

The good news is that we can reverse the process of environmental abuse. Political strategies driven by the key values of ecological responsibility, participatory democracy, environmental justice, and community action are effective. Dan Coleman's stories of citizen groups whose grassroots organizing has already put ecologically sound policies in place demonstrate that the sustainable society is indeed possible.

Lucid, lively, probing, serious, yet optimistic-Coleman's analysis is required reading for all who count the earth as their home.
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front cover of Refusals and Reinventions
Refusals and Reinventions
Engendering New Indigenous and Black Life across the Americas
Daniel Ìgbín’bí Coleman
The Ohio State University Press, 2024
In Refusals and Reinventions, artist-scholar-organizer Daniel Coleman considers his critical trajectories and participation in intersectional justice struggles in the US and Mexico, situating them within larger abolitionist and decolonial movements for Black civil rights and Native/Indigenous sovereignty. He identifies how Black and Indigenous people create, exist in, and reclaim many worlds—the pluriverse—through their artistic refusals and reinventions. Coleman thus contributes to a growing body of pluriversal thought, inspired by the Zapatista motto “a world in which many worlds fit.” Charting previously unrecognized connections among the creative struggles of Indigenous people in southern Mexico and Black people in the southern United States, Coleman draws on performance praxis, decolonial pedagogies, and Afro-diasporic and Native/Indigenous cosmologies to frame four case studies of people refusing racialized, gendered violences as world-making tools. In looking at creative responses among activists in Chiapas and in North Carolina, Coleman uses transfeminist, Black feminist, and decolonial frameworks to ask: How do creative insurgent practices give us access to our humanity? And what do praxis and engaged witnessing have to teach us about what worlds from the pluriverse hold?
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